Monday, February 28, 2011
Sunday, January 9, 2011
2011 The Year of Grace
Thursday, December 16, 2010
Coaching Yourself
A good end-of-year exercise! I will get back to GRACE on January 3, 2011.
Ten-Minute Tip: Coach Yourself
by Charlotte Rains Dixon, WordStrumpet
As a precursor to hiring a coach, spend a little time working with yourself. Answer the following questions:
- What was your biggest writing success in 2010?
- Your biggest writing problem?
- If you were coaching yourself, what suggestions would you make to yourself about your writing problem?
- How can you put these suggestions into action? When will you put them into action?
- What are your three most important writing goals for 2011?
- How will you implement them?
- If you get stalled on these goals, how will you push forward?
Saturday, October 23, 2010
My Brother, Agents, and Writing in Class

For WHM
In this one you are with me and our cousins, Hank and John, in Baldwin, on the south shore of Long Island. It’s 1950 or 1951and we are posing at the edge of a canal in the shipyard where Granddaddy keeps his motor boat. We just got back from our annual day trip through Jones Inlet. You and I stand in the middle with our arms around each other and clearly we take care of each other. We are as plain and sturdy as our scuffed Buster Brown shoes.
Hank and John, wearing sneakers, are aliens from Planet Cousin and we have no clue about them. If you are trying to cheer John up with a hug, it isn’t working. We love the person who is taking the picture, probably our mother or father, though John seems more interested in the ground in front of him.
Over the years to come the tides of our lives will pull you and me together and keep us apart, but we will always be Susan and William, Sister and Brother.
In 2001, from the rocky shore of Nova Scotia, I scattered your ashes in the cold waters of St.Margaret’s Bay, where you once took me for a day trip on your motor boat, Seaweed 2.
Now you travel on the tides to all the waters of the world.We'll see. Meanwhile the ending is nagging at me, as is the idea of pitching GRACE as "edgy" YA.
Homework is an "invitation," so any topic is acceptable if the invititee has other writing priorities. I often use my own writing as an example in the Invitations. For example, I used the the meditation on Will (2nd from left in picture above) as an example of writing to a person in a photograph "In this one, you are..."
Saturday, August 21, 2010
Hospital
This garden’s white and green
Fat with waste-waxed floors
Crisp white machines.
“Good veins,” approves Nurse Thing.
A room with a view of sky.
Last sight; last rite.
This is a garden of wolf’s tongue
And wean balm,
of
Devils’ Teeth.
This is a garden of the sick to death,
A formal garden of the
Never mind.
Friday, August 20, 2010
Dog Days and Reliving Your Scenes
Have you ever imagined yourself to be the characters? Tried to feel what they’re feeling? Try it now. It’s not hard. Be an actor.
Often, after I’ve written a scene, I’ll go back and try to live the emotions. I’ll act out the parts I’ve created. Almost always what I feel “in character” will make me add to or change the scene.
You can also imagine the scene, step by step, in your mind. Let it play like a movie. But instead of watching the movie from a seat in the theater, be in the scene. The other characters can’t see you, but you can see and hear them.
Intensify the proceedings. Let things happen. Let characters improvise. If you don’t like what they come up with, rewind the scene and allow them to do something else.
Look at the beginnings of your scenes. What do you do to grab the reader at the start? Have you spent too much time with description of setting? Often the better course is to start in medias res (in the middle of things) and drop in description a little later.
Examine scene endings. What have you provided that will make the reader want to read on? Some great places to stop a scene are:
• At the moment a major decision is to be made.
• Just as a terrible thing happens.
• With a portent of something bad about to happen.
• With a strong display of emotion.
• When raising a question that has no immediate answer.
Keep improving your scenes and your novel will soon develop that can’t-put-it-down feel.