My Brother, Agents, and Writing in Class

For WHM

In this one you are with me and our cousins, Hank and John, in Baldwin, on the south shore of Long Island. It’s 1950 or 1951and we are posing at the edge of a canal in the shipyard where Granddaddy keeps his motor boat. We just got back from our annual day trip through Jones Inlet. You and I stand in the middle with our arms around each other and clearly we take care of each other. We are as plain and sturdy as our scuffed Buster Brown shoes.

Hank and John, wearing sneakers, are aliens from Planet Cousin and we have no clue about them. If you are trying to cheer John up with a hug, it isn’t working. We love the person who is taking the picture, probably our mother or father, though John seems more interested in the ground in front of him.

Over the years to come the tides of our lives will pull you and me together and keep us apart, but we will always be Susan and William, Sister and Brother.

In 2001, from the rocky shore of Nova Scotia, I scattered your ashes in the cold waters of St.Margaret’s Bay, where you once took me for a day trip on your motor boat, Seaweed 2.

Now you travel on the tides to all the waters of the world.

AGENT for GRACE

Sent follow-up #3 to an agent who has yet to acknowledge. This time I re-sent the whole ms. requested in May.
We'll see. Meanwhile the ending is nagging at me, as is the idea of pitching GRACE as "edgy" YA.

IN CLASS

Writing in class with my students for 10 minutes at a time, 7 times a week, is enlightening. I have 7 classes, each meets once a week.) Twice I write on one topic, four times on another, and once a week a class with its own, entirely different, topic. I have uncovered some startling insights this way. The ten-minute student writings are always interesting. This is the only time everyone tackles the same prompt.

Homework is an "invitation," so any topic is acceptable if the invititee has other writing priorities. I often use my own writing as an example in the Invitations. For example, I used the the meditation on Will (2nd from left in picture above) as an example of writing to a person in a photograph "In this one, you are..."

Hospital

This garden’s white and green

Fat with waste-waxed floors

Crisp white machines.

“Good veins,” approves Nurse Thing.

A room with a view of sky.

Last sight; last rite.

This is a garden of wolf’s tongue

And wean balm,

of Queens’ Ears and

Devils’ Teeth.

This is a garden of the sick to death,

A formal garden of the

Never mind.

Dog Days and Reliving Your Scenes

OK, they are supposedly called "dog days" because of the dog star but I know better. Saw a mom toting plastic bags of school supplies trailed by two foot-dragging kids in a hot parking lot, 1 p.m. on a Friday in August, all were bored and tried and hot -- dog days written all over them.

Meanwhile, I am inspired by James Scott Bell:

1. RELIVE YOUR SCENES. Not rewrite. Relive.

Have you ever imagined yourself to be the characters? Tried to feel what they’re feeling? Try it now. It’s not hard. Be an actor.

Often, after I’ve written a scene, I’ll go back and try to live the emotions. I’ll act out the parts I’ve created. Almost always what I feel “in character” will make me add to or change the scene.

You can also imagine the scene, step by step, in your mind. Let it play like a movie. But instead of watching the movie from a seat in the theater, be in the scene. The other characters can’t see you, but you can see and hear them.

Intensify the proceedings. Let things happen. Let characters improvise. If you don’t like what they come up with, rewind the scene and allow them to do something else.

Look at the beginnings of your scenes. What do you do to grab the reader at the start? Have you spent too much time with description of setting? Often the better course is to start in medias res (in the middle of things) and drop in description a little later.

Examine scene endings. What have you provided that will make the reader want to read on? Some great places to stop a scene are:

• At the moment a major decision is to be made.
• Just as a terrible thing happens.
• With a portent of something bad about to happen.
• With a strong display of emotion.
• When raising a question that has no immediate answer.

Keep improving your scenes and your novel will soon develop that can’t-put-it-down feel.

From: "5 Easy Tips to Strengthen Your Scenes," Writer's Digest 8/3/10,

http://www.writersdigest.com/article/5-easy-tips-to-strengthen-your-scenes

Family Time

Great news from Ben-- an agent asked to see more of his novel today. First step in agent search, get pages of the book in his or her hands! The response to his fine query letter came in two weeks. His book is intriguing and well written and I hope she loves it! Good job, Ben!

QUESTION: How Do You Know If Your Query Is Any Good?

From a great blog:

Jane Friedman: There Are No Rules

http://blog.writersdigest.com/norules/2010/07/31/CompellingQueriesShouldGet75PositiveResponseIfNotReviseQuery.aspx

ANSWER: Follow the 75% Rule of Marcus Sakey

Key points:

The query letter and novel are two separate things. In fact, they are so separate that it's not even necessary for you to have written a novel to write a fantastic and compelling query letter.

A query letter seduces the agent. Your are showing an agent you know how to tell a story.

The query should be brief and simplistic in terms of representing your novel. (The story hook should be kept to about a paragraph.)

Refer to your protagonist's name specifically, but try to frame everyone else in general unnamed roles.

Sakey said you should send the query out to agents in small batches, maybe 5 at a time, and see what your response rate is. If it's less than 75% "send me something," your query letter needs work.

Other Tips on Getting Published

• You have to finish the book and put it aside for a while. A month is a good starting place. Then you read the whole thing in 1 sitting. Really mark it up. Then give it out to people. If you keep it to yourself, you're keeping a journal. When you get feedback, don't look at specific suggestions; you will find that they vary. Look for patterns: if four people say the same thing, it's broken.
• Any book that goes much beyond the 6-figure word count is not marketable. Don't get beyond 120,000 for sure. (Joke made: There aren't enough electrons for the e-books if you get to 130,000 words. Ha!)
• Every scene/conversation/line needs to progress the plot or the character.Look closely at your really fabulous paragraphs ("the really freakin' gorgeous ones"). Copy that gorgeous stuff into another file, and you can always go back and remind yourself of your genius. But never use it.
• When e-querying, add the first page of manuscript at the bottom of the e-mail. (Don't attach it.) Of course, it better be a compelling first page. (And it should be a compelling first page no matter what.) Even though this is not a standard approach, if your letter was brief and professional, the agent will think, "Hey, what the hell."
• Treat querying and submitting (and publishing) like a business, and give it the respect and professionalism it requires if you want to get an agent or editor. Prove your case. You do not have a birth right to have your book published, even if it's brilliant. Writing is all about art. But once you start selling that, your writing is all about business. Anyone beyond you in the food chain looks at it like a business. So you're a salesperson. Do your job. (Nothing kills a good product like bad marketing.)
• Keep the submission process going and—very important—then start your next project. You don't make your writing life about the submission process.

Good Advice from WordStrumpet

Success Mindset
1. Intention, Not Expectation. Set an intention for whatever it is you want to be successful at, but don't have an expectation of exactly how it will pan out. Because, the universe loves to surprise you. This goes for small, daily goals, too. Set an intention to write a certain number of words per day, for instance, but don't have an expectation that you will absolutely, positively meet that goal or else. Set an intention, go for it, and if you don't make it, do better the next day.

2. Just A Wee Bit of Organization. I know, we creative types like to be wild and crazy and free. And organization is a dirty word when you are wild and crazy and free. But a wee bit of it will help you to achieve your success goals. Learn what your maximum mess quotient is and when you reach it, take some time to get yourself organized. My maximum mess quotient is when my desk gets so overwhelmed with piles I no longer know what each pile represents (probably because they are so messy they don't represent anything).

3. Use the Power of Your Subconscious. Put your brain to work for you. Your subconscious can be noodling away on your creative projects while you are doing other things, like dishes, or vacuuming or carpooling. You just need to give it a little nudge. And that's easy to do. Read over your notes before you leave to do errands. Glance at a page or two of your manuscript before you go to sleep at night. Or sit in front of your latest painting and ponder it before you leave for work. You can also tell your subconscious directly what you need, such as, "I'm looking for Claire's motivation for leaving her husband." And don't forget to carry a small journal with you wherever you go so that you can jot down ideas as they come. Because they will come.

4. Process, not Product. Don't put yourself into the mindset of product creation. Instead, remember that it is all about the process. Yes, you are indeed creating a product, whether that is a novel or a painting or an EBook. But focusing on the end product results in perfectionism, and panic. Instead, stay in the present and think only about the process. Be in the process. Product follows.

5. Transcend Judgment. This is a biggie, and a difficult biggie at that. You need to be able to transcend judgment of the product you are creating until you are finished and need to be critical of it. But beyond that, you need to transcend judgment of yourself and other people (which is really just judgment of yourself). Stifle that negative voice that loves to hear you tell critical stories. You'll be amazed at how much space opens up in your brain. And you can then use that mental space for, oh, I don't know, rewriting a novel?

6. Ask For Support. But seek it from the right people. I adore my family and my non-writing friends, but I don't let them in on the process of trying to get my novel published much. Why? Because, wonderful as they are, they just don't get it. If I mention I have an agent interested in my work, they'll be asking me constantly how it's going. My writing group, on the other hand, offers concrete assistance that I can take to the computer and use immediately. (And no worries, there will be a huge celebration with my beloved family when the time comes and I do nab that agent.)

7. Know You Can Do it! Because you can. We all can. We all can accomplish our goals if we just give ourselves a chance. Or a pep talk. So good luck cultivating a success mindset and go forth and accomplish your goals!
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Reposted with permission:
Writer, mentor, and coach Charlotte Rains Dixon is passionate about helping writers, coaches, entrepreneurs, and creative professionals succeed, achieve, and profit in their careers and lives through writing. Visit her for more tips and techniques on writing--and living--at www.wordstrumpet.com.

Backspace Conference

It was all I hoped it would be. Lots of interest in Grace, four agents asked for the MS. Donald Maass's talk about writing the breakout novel was to the point for me. I have been upping the tension prior to hitting "send."

Bravo Backspace!
Thanks to Backspace and Colleen Lindsay for the original query contest last fall that I won. The prize was free attendance at the conference. I also thank Backspace for giving me a rain check when I couldn't attend in the fall.